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DTSTART:20240310T070000
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DTSTART:20231105T060000
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UID:event.911687.www.amherst.edu
DTSTART;TZID=America/New_York:20240523T180000
SEQUENCE:0
TRANSP:TRANSPARENT
DTEND;TZID=America/New_York:20240523T200000
LOCATION:Mead Art Museum
SUMMARY:Opening Reception for \"The Juncture: Ukrainian Artists in Search o
 f\nModernity and Identity\"
CLASS:PUBLIC
DESCRIPTION:Please join us for an opening reception celebrating _The Junctu
 re:\nUkrainian Artists in Search of Modernity and Identity_. Curated by th
 e\ncelebrated Ukrainian and Eastern European art specialist Dr.\nKonstanti
 n Akinsha\, the exhibition assesses the careers and legacies\nof Alexander
  Archipenko (1887–1964)\, Oleksandr Bohomazov\n(1880–1930)\, and Vasyl
  Yermilov (1894–1968)\, three of Ukraine's\nleading Modernists. There wi
 ll be refreshments\, as well as remarks by\nDr. Akinsha (live) and Oleksan
 dra Matviichuk (pre-taped). \n\nDr. Akinsa will also give a lecture the n
 ext day\, May 24th\, titled\n\"Who Stole Ukrainian Art? A Short History of
  Modernism in Ukraine\" in\nStirn Auditorium from 2:30 to 4pm. You can fin
 d more information about\nthe talk on the Mead's events page\, or in the C
 ollege calendar. \n
DTSTAMP:20240518T203140Z
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UID:event.911688.www.amherst.edu
DTSTART;TZID=America/New_York:20240524T143000
SEQUENCE:0
TRANSP:TRANSPARENT
DTEND;TZID=America/New_York:20240524T160000
LOCATION:Stirn Auditorium\, Mead Art Museum
SUMMARY:Who Stole Ukrainian Art? A Short Survey of Modernism in Ukraine\, b
 y\nKonstantin Akinsha
CLASS:PUBLIC
DESCRIPTION:Guest curator Konstantin Akinsha presents this lecture in conne
 ction\nwith the opening of _The Juncture: Ukrainian Artists in Search of\n
 Modernity and Identity_ at the Mead Art Museum. The short life of\nUkraini
 an modernism reflects the tragic events of the history of\nUkraine in the 
 20th century. As works by Ukrainian modernists were\ndiscovered decades la
 ter\, they were often labeled as “Russian” and\ninterpreted through a 
 Russian cultural framework. After the fall of\nthe USSR\, the Western all-
 inclusive conception of Russian avant-garde\nwas appropriated by the Russi
 an propaganda machine and turned into an\nimperialist tool. Conversely\, t
 he objective of Ukrainian art\nhistorians is the reclaiming of Ukrainian a
 rt appropriated by\nRussians. In the situation of a fierce Ukrainian-Russi
 an kulturkampf\,\nthe lecture will shed light on the validity of Ukrainian
  claims and\nthe Russian response to them.\n\nABOUT THE SPEAKER: Konstanti
 n Akinsha is among the foremost scholars\nand curators of Russian and Ukr
 ainian Art. Since the start of the\nfull-scale Russian invasion of Ukrain
 e\, he has been documenting the\ndestruction of its cultural heritage and 
 has been writing for such\npublications as The Wall Street Journal and for
  his own website. In\n2022\, he developed the traveling exhibition _In th
 e Eye of the Storm:\nModernism in Ukraine\, 1900-1930s_\, which offers a p
 anoramic view of\nModernism in the region and provides an opportunity for 
 museums in\nEurope to support the safekeeping of works from Ukrainian muse
 ums\nendangered by the Russian invasion. In 2024\, he curated the\nexhibi
 tion _The Juncture: Ukrainian Artists in Search of Modernity and\nIdentity
  _at the Mead Art Museum at Amherst College\, bringing together\nrare work
 s by three of the leading Modern Ukrainian artists: Oleksandr\nBohomazov (
 1880—1930)\, Alexander Archipenko (1887—1964)\, and Vasyl\nYermilov (1
 894—1968).\n
DTSTAMP:20240518T203140Z
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