Heather Agyepong (British, born 1990). Too Many Blackamoors #5, 2019. Archival giclée pigment print, 24 x 20 in. Purchase with Richard Templeton (Class of 1931) Photography Fund. © Heather Agyepong, courtesy of James Hyman Gallery, London.
Andres Serrano, Ringmaster Jonathan Lee Iverson, Ringling Bros. and Barnum & Bailey Circus, 2003. Cibachrome. Courtesy of the artist and Nathalie Obadia Gallery.
Matthew Day Jackson, Sacajawea (American Martyr Series), 2005. Scorched wood, woodburned drawing, sculpey, mother of pearl, abalone, yarn. epoxy, tooled leather, and skull bead. 96 x 72 inches. Courtesy of the artist.
David Hockney, Dog Etching No.4, 1998. Edition 1 of 4, Etching 25, 3⁄4 x 22 1⁄4 inches.
Analia Saban One-Armed, Three-Legged Chair (with Coil Spring Rubbings), 2014, oil crayon on linen on chair 35 x 28 x 30 1/2 inches; 89 x 71.1 x 77.5 cm Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles.
Carroll Dunham, Particular Aspects (three), 2003. Mixed media on canvas, 71 1/8 x 57 1/4 inches. Copyright Carroll Dunham. Courtesy the artist and Gladstone Gallery, New York and Brussels.
Drawn from museum purchases and an extraordinary recent gift of 172 contemporary artworks from an anonymous donor, this exhibition builds on the Mead’s first and most comprehensive contemporary art exhibition, presented in fall 2019. Spanning four decades, from the 1980s to 2019, the exhibition highlights how artists experiment with media and use historical events, ideas, and images to address politics and the nature of art. Featured artists include Heather Agyepong, Moira Dryer, Mark Fox, Al Hansen, Analia Saban, and Paul Mpagi Sepuya.
We're pleased to offer a virtual tour of this exhibition. Click here to view art up close and read wall labels.