Lecture 15: Post-Impressionism and Early Twentieth-Century Art

Submitted by (inactive) on Tuesday, 12/9/2008, at 7:13 PM

POST-IMPRESSIONISM

 

Georges Seurat (1859-1891, French), Sunday Afternoon on the Island of La Grande Jatte, 1884-1886. (The Art Institute of Chicago)

 

Paul Cézanne (1839-1906, French)

Still Life with Basket of Apples, 1890-94. (The Art Institute of Chicago)

Mont Sainte-Victoire, 1902-4 (Philadelphia Museum of Art)

 

Paul Gauguin (1848-1903, French)

Vision After the Sermon, 1888. (National Gallery of Scotland, Edinburgh)

Where do we come from? What are we? Where are we going?, 1897. (Museum of Fine Arts, Boston)

 

Vincent Van Gogh (1853-1890, Dutch)

Harvest at La Crau (The Blue Cart), 1888. (Vincent van Gogh Museum, Amsterdam)

Starry Night, 1889. (The Museum of Modern Art, New York)

 

EARLY TWENTIETH CENTURY

 

Pablo Picasso (1881-1973, Spanish)

Demoiselles d’Avignon, 1907. (The Museum of Modern Art, New York)

Ma Jolie, 1911-12. (The Museum of Modern Art, New York)

Guernica, 1937. (Museo Nacional Centro de Arte Reina Sofia, Madrid)

 

Henri Matisse (1869-1954, French)

Woman with a Hat, 1905 (San Francisco Museum of Modern Art)

The Red Studio, 1911. (The Museum of Modern Art, New York)

 

Vassily Kandinsky (1866-1944, Russian), Improvisation No. 30. 1913. (The Art Institute of Chicago)

 

Piet Mondrian (1872-1944, Dutch), Composition with Red, Blue, and Yellow, 1930. (Private collection)

 

Otto Dix (1891-1969, German)

Crippled War Veterans Playing Cards, 1920. (Staatliche Museen, Berlin)

War Triptych, 1928-32. (Gemäldegalerie Neue Meister, Dresden)

 

Marcel Duchamp (1887-1968, French)

Nude Descending a Staircase, No, 2, 1912. (Philadelphia Museum of Art)

Fountain, 1917.

L.H.O.O.Q., 1919.

 

Giorgio de Chirico (1888-1978, Italian), Mystery and Melancholy of a Street, 1914. (Private collection)

 

René Magritte (1898-1967, Belgian), Le viol (The Rape), 1934. (Menil Collection, Houston)

 

Frida Kahlo (1907-1954, Mexican), The Two Fridas, 1939. (Museo de Arte Moderno, Mexico City)

 

Terms:

pointillism

Expressionism

Analytic Cubism

Fauvism

synesthesia

Surrealism

Dada

readymade

World War I 1914-1919

Lecture 14: Realism and Impressionism

Submitted by (inactive) on Tuesday, 12/2/2008, at 1:27 PM

REALISM

 

Honoré Daumier (1808-1879, French)

Rue Transnonain, 1834. (Philadelphia Museum of Art)

Third-Class Carriage, c.1862. (New York, Metropolitan Museum of Art)

 

Gustave Courbet (1819-1877, French)

Burial at Ornans, 1849. (Paris, Musée d’Orsay)

 

Edouard Manet (1832-1883, French)

Dejeuner sur l’herbe, 1863. (Paris, Musée d’Orsay)

Olympia, 1863. (Paris, Musée du Louvre)

The Boat, 1874. (Neue Pinakothek, Munich)

 

Thomas Eakins (1844-1916, American)

The Gross Clinic, 1875. (Philadelphia, Thomas Jefferson Medical College)

 

Henry Ossawa Tanner (1859-1937, American)

The Banjo Lesson, c.1893. (Virginia, Hampton University Museum)

 

IMPRESSIONISM

 

Claude Monet (1840-1926, French)

La Grenouillère, 1869. (New York, The Metropolitan Museum of Art)

Impression: Sunrise, 1872. (Paris, Musée Marmottan)

Rouen Cathedral, 1894. (New York, MMA; Paris, Musée d’Orsay’ Boston, MFA; Essen, Folkwang Museum)

 

Pierre-Auguste Renoir (1841-1919, French)

La Grenouillère, 1869. (Nationalmuseum, Stockholm)

Moulin de la Galette, 1876. (Musée d’Orsay, Paris)

 

Edgar Degas (1834-1917, French)

Ballet Rehearsal, 1874. (Glasgow Museums and Art Galleries)

The Tub, c. 1885-86. (Musée d'Orsay, Paris)

 

Mary Cassat (1844-1926, American)

Little Girl in a Blue Armchair, 1878 (Washington, D.C., National Gallery of Art)

The Letter, 1891 Drypoint, etching, and aquatint.

 

 

Terms:

Revolution of 1848

Salon of the Academy

Salon des Refusés 1863

Salon des Independents

Baudelaire

flaneur (man about town)

en plein air

japonisme

impasto 

Lecture 13: Rococo, Neo-Classicism, and Romanticism

Submitted by (inactive) on Tuesday, 12/2/2008, at 1:24 PM

ROCOCO

Jules Hardouin-Mansart and Charles Le Brun, Palace of Versailles. Versailles, France, begun 1669

 

Hyacinth Rigaud (1659-1743), Portrait of Louis XIV of France, 1701. (Musée du Louvre, Paris)

 

Fragonard (1732-1806), The Swing, c. 1765-70. (London, Wallace Collection)

 

 

NEO-CLASSICISM

Jacques-Louis David (1748-1825)

Oath of the Horatii, 1784. (Musée du Louvre, Paris)

Death of Marat, 1793. (Brussels, Musées Royaux)

Napoleon Crossing the Alps, 1800. (Versailles, National Musem)

 

J. A. D. Ingres (1780-1867)

Grande Odalisque, 1814. (Musée du Louvre, Paris)

Paganini, 1819. (Musée du Louvre, Paris)

Comtesse d’Haussonville, 1845. (New York, Frick Collection)

 

 

ROMANTICISM

Théodore Géricault (1791-1824, French)

Raft of the Medusa, 1818-19. (Paris, Louvre)

Study of Truncated Limbs, c.1819. (Montpelier, Musée Fabre)

Insane Woman, 1822-23. (Lyons, Musée des Beaux-Arts)

 

Eugène Delacroix (1798-1863, French)

Death of Sardanapalus, 1826. (Paris, Musée du Louvre)

Liberty leading the People, 1830. (Paris, Musée du Louvre)

Paganini, c. 1832 (Washington, D.C, The Phillips Collection)

 

Francisco de Goya (1746-1828, Spanish)

The Sleep of Reason produces Monsters from the Los Caprichos series, c. 1798

The Third of May, 1808, 1814. (Madrid, Museo del Prado)

 

Caspar David Friedrich (1774-1840, German)

Abbey in the Oak Forest, 1809 (Berlin, Schloss Charlottenberg)

Monk by the Sea, 1808-9. (Berlin, Staatensgalerie)

 

J.M.W. Turner (1775-1851, British)

The Slave Ship, 1840. (Boston, Museum of Fine Arts)

 

Thomas Cole, (1801-1848, American)

The Oxbow, 1836. (New York, The Metropolitan Museum of Art)

     

Terms:

French Revolution 1789

Reign of Terror 1793

Napoleon crowned Emperor 1803

Napoleon defeated at the Battle of Waterloo 1815

1830 Revolution

Lecture 12: Baroque Art

Submitted by (inactive) on Thursday, 11/6/2008, at 2:51 PM

 

ITALY

Caravaggio (1576-1610)

            Calling of St. Matthew, 1599-1600. S. Luigi dei Francesi, Rome.

            Conversion of St. Paul 1601. Sta Maria del Popolo, Rome.

 

Bernini (1598-1680)

            David, 1623. (Borghese Gallery, Rome)
            Ecstasy of St. Theresa, 1645-52. Sta Maria della Vittoria, Rome.

            Baldacchino, 1624-33. St. Peter’s, Vatican.

            Piazza and Colonnade of St. Peter’s, begun 1656. Vatican.

 

FLANDERS

Rubens (1577-1640)

      Elevation of the Cross, 1610.  Antwerp Cathedral, Antwerp.

 

HOLLAND

Rembrandt (1609-1669)

      Artist in the Studio, 1627-38. (Museum of Fine Arts, Boston)

      Self-Portraits, etchings, c. 1629-30.

      Cornelis Anslo and His Wife, 1641 (Berlin, Staatliche Museen)

      Return of the Prodigal Son, c. 1669 (Hermitage Museum, St. Petersburg)

 

 

Terms:

Counter-Reformation

tenebrism


 

Lecture 11: Sixteenth-Century Northern Painting

Submitted by (inactive) on Wednesday, 11/5/2008, at 4:11 PM

 

NETHERLANDS

Hieronymous Bosch (c. 1450-1516)

Garden of Earthly Delights, c. 1505 (Museo del Prado, Madrid)

 

Pieter Bruegel the Elder (c. 1525/30-69)

Triumph of Death, c. 1562 (Museo del Prado, Madrid)

Return from the Hunt, 1565 (Kunsthistorisches Museum, Vienna)

Blind Leading the Blind, 1568 (Museo Nazionale, Naples)

           

 

GERMANY           

Mathias Grünewald (d. 1528)

 Isenheim Altarpiece, ca .1510-15 (Musée Unterlinden, Colmar)

 

Albrecht Dürer (1471-1528)

 Self-Portrait, 1498 (Museo del Prado, Madrid)

Self-Portrait, 1500 (Alte Pinakothek, Munich)

Adam and Eve, 1504. Engraving

Melancholia I, 1514. Engraving

           

 

Terms:

Adamites

genre

Reformation

indulgences

iconoclasm

St. Anthony’s Fire/ergotism

woodcut

engraving

burin

humors

Lecture 10: Art of Sixteenth-Century Italy

Submitted by (inactive) on Wednesday, 11/5/2008, at 4:08 PM

HIGH RENAISSANCE

 

Leonardo da Vinci (1452-1519)

            Virgin of the Rocks, c. 1483-86. (Paris, Musée du Louvre)

            Last Supper, c. 1495-98, S. Maria della Grazie, Milan.

            Mona Lisa, c. 1503-5. (Paris, Musée du Louvre)

            Star of Bethlehem, drawing. (London, Windsor Castle)

            Deluge, drawing. (London, Windsor Castle)

            Anatomical Drawings

           Vitruvian Man (London, Windsor Castle)

 

Bramante (1444-1514), Plan for St. Peter’s, c. 1505. Rome.

 

Raphael (1483-1520)

            Madonna of the Meadows, c. 1505-06. (Kunsthistoriches Museum, Vienna)

            School of Athens, c. 1510-11.  Stanza della Segnatura, Vatican.

 

Michelangelo (1475-1564)

            Pietà, c. 1499-1500.  St. Peter’s, Vatican.

            David, 1501-4.  (Florence, Galleria dell’Accademia)

            Sistine Ceiling, 1508-12.  Sistine Chapel, Vatican.

            The Last Judgment, 1534-41. Sistine Chapel, Vatican.

            Plan and Dome of St. Peter’s, 1546-64.  Rome.

 

VENETIAN RENAISSANCE

 

Giorgione (1478-1510), Pastoral Concert, c. 1508. (Paris, Musée du Louvre)

 

Titian (1488/90-1576)

            Assumption of the Virgin, 1516-18. Church of the Frari, Venice.

            Venus of Urbino, 1538.  (Florence, Uffizi)

 

MANNERISM

 

Pontormo (1494-1556/7), Entombment/Deposition, c. 1526-28.  Santa Felicita, Florence.

 

Bronzino (1503-1572), Allegory of Venus, Cupid, and Time, c. 1545 (National Gallery, London)

 

 

Terms:

 

aerial/atmospheric perspective

chiaroscuro

sfumato

serpentine

ignudi

colore vs. disegno

conceit

 

 

Lecture 9: Northern European Art of the 15th Century

Submitted by (inactive) on Friday, 10/24/2008, at 1:21 PM

 

The Limbourg Brothers, Les Très Riches Heures du Duc de Berry, 1413-16. (Chantilly, Musée Conde)

            January, February, March, May, June

 

Robert Campin (Master of Flemalle), The Merode Altarpiece, c. 1425-30.  (New York, The Cloisters Collection)

 

Jan van Eyck, The Ghent Altarpiece (Adoration of the Lamb), c. 1426-32. St. Bavo, Ghent, Belgium.

 

Jan van Eyck, The Arnolfini Wedding, 1434. (London, National Gallery)

 

Rogier van der Weyden, Descent from the Cross, c. 1435. (Madrid, Museo del Prado)

 

Rogier van der Weyden, Portrait of a Lady, c. 1460. (Washington, D.C., National Gallery)

 

Hugo van der Goes, The Portinari Altarpiece (Adoration of the Shepherds), c. 1476. (Florence, Uffizi)

 

 

Terms:

 

book of hours

tempera

feudalism

bourgeoisie/burgher

tempera

triptych

polyptych

Bruges 

Lecture 8: Early Renaissance in Italy

Submitted by (inactive) on Friday, 10/24/2008, at 1:19 PM


Giotto di Bondone (c. 1267-1337)

Scrovegni (Arena) Chapel, c. 1304-13. Padua

            Baptism of Christ

            Betrayal of Christ

            The Lamentation

 

Duccio di Buoninsegna (active 1278-1318)

Virgin and Child Enthroned in Majesty (Maestà), 1308-11. (Museo dell’Opera del Duomo, Siena)

        Betrayal of Christ

 

Lorenzo Ghiberti (1378-1455)

Sacrifice of Isaac, bronze panel, 1401-02. (Florence, Bargello)

East Doors of the Florence Baptistery (“Gates of Paradise”), bronze cast, 1425-52.  Florence.

 

Filippo Brunelleschi (1377-1446)

Sacrifice of Isaac, bronze panel, 1401-02.  (Florence, Bargello)

Cupola of the Cathedral of Florence (Duomo), 1420-36.  Florence.

 

Masaccio (1401-1428)

Holy Trinity, 1426-28. Santa Maria Novella, Florence.

           

Donatello (1386-1466)

David, bronze, 1428-32. (Florence, Bargello)

 

Sandro Botticelli (1445-1510)

Adoration of the Magi, 1475. (Galleria degli Uffizi, Florence)

Birth of Venus, c. 1482. (Florence, Uffizi)

 

Domenico Ghirlandaio (1448/9-1494)

Portrait of Giovanna Tornabuoni, 1488. (Madrid, Museo Thyssen-Bornesmisza)

 

Terms:


fresco

linear perspective

orthogonals

vanishing point

Neo-Platonism

venus pudica

sfumato

 

Lecture 7: Medieval Art

Submitted by (inactive) on Thursday, 10/2/2008, at 11:42 AM

Lecture 7 Slide List

Medieval Art

30 September-2 October 2008

 

Early Medieval, c. 500-1000

Sutton Hoo Ship Burial, 7th century. England. (London, British Museum)

            Purse Lid, Hinged Clasp, Interlace Buckle

 

*The Book of Kells, c. 800, Ireland. (Dublin, Trinity College)

            CHI-RHO-IOTA Initial Page

            Christ with Angels

 

* Monastery at St. Gall, Switzerland, c. 820.

            Plan of Monastery Complex

            Cover of the Lindau Gospels, 870.

 

Coronation Gospels, late 8th century. (Weltliche Schatzkammer, Vienna)

            St. John

            St. Matthew

 

*Ebbo Gospels, c. 816-835. (Bibliothèque Municipale, Epernay, France)

            St. Mark

            St. Matthew

 

Romanesque, c. 1000-1200

*St. Sernin, c. 1080-1120. Toulouse, France.

 

*The Ascension of Christ and the Pentecost Mission of the Apostles, center portal, 1120-1132. La Madeleine, Vézelay, France.

 

*Gislebertus, Last Judgment, tympanum, c.1130. St.-Lazare, Autun, France.

 

Gothic, c. 1200-1400

*Abbot Suger, St. Denis, Ambulatory and Chapels, 1140-1144. Near Paris, France.

 

*Chartres Cathedral, 1194-1220. Chartres, France.

            *Scenes from Life of Christ, stained glass of west wall, c.1150-1170.

            *Jamb Statues, West (Royal) Portal, c. 1145-70.

 

*Annunciation, West portal of Reims Cathedral, c. 1225-55.

           

Ste. Chapelle, 1243-1248. Paris, France.

 

Terms:


Goths: Visigoths, Ostrogoths

Vandals

Feudalism

Anglo-Saxon

scriptorium/scriptoria

insular

zoomorphic

Benedictine

apse

bay

nave

buttress

sexpartite vault/rib vault

cluster/complex pier

reliquary

mandorla

crypt

jamb

Lecture 6: Early Christian, Jewish, and Byzantine

Submitted by (inactive) on Friday, 9/26/2008, at 12:09 PM

Lecture 6 Slide List
Early Christian and Byzantine Art
25 September 2008


EARLY CHRISTIAN ART

Christian catacombs, Rome. 2nd and 3rd centuries.

*Old St. Peter’s, Rome. begun c. 320.


JEWISH ART
Wall paintings from the synagogue at Dura Europos, Syria, c. 250. (Damascus, National Museum)


BYZANTINE ART

*San Vitale, Ravenna, Italy. c. 530-547.
Emperor Justinian and his Retinue, c. 547.
Empress Theodora and her Retinue, c. 547.

*Hagia Sophia, Istanbul (Constantinople), Turkey. 532-37


Terms:

loculi
apse
bays
nave
buttress
Constantinople
Byzantium
centralized plan
piers
ambulatory
mosaic
tesserae
icon
pendentive

Lecture 5: Ancient Rome

Submitted by (inactive) on Friday, 9/26/2008, at 12:05 PM

Lecture 5 Slide List
Roman Art
23 September 2008

ROMAN ART

Republican, c. 509-27 B.C.


Head of a Roman Patrician, c.75-50 B.C. (Rome, Museo Torlonia)

*Patrician with Ancestral Busts, c. 15 A.D. (Rome, Capitoline Museum)

*House of the Vettii, Pompeii. c. 62-79 A.D.

*Cubiculum from Boscoreale Villa, 50-40 B.C. (New York, Metropolitan Museum)

Early Empire, 27 B.C.-69 A.D.

*Augustus of Primaporta, c. 20 B.C. (Rome, Vatican Museum)

*Ara Pacis, Rome, 13-9 B.C.

High Empire, 69-180 A.D.

*Colosseum, Rome, 70-80 A.D.

*Trajan’s Column, Rome, 106-113 A.D.

*Pantheon, Rome, 118-125 A.D.

Late Empire, 180-395 A.D.


*Colossus of Constantine, c. 315-330 A.D.  (Rome, Palazzo dei Conservatori)

*Basilica of Maxentius and Constantine (Basilica Nova), Rome, c. 306-313 A.D.


Terms:
 
patrician
plebian
engaged column
veristic
Mt. Vesuvius
atrium
impluvium
cubiculum
triclinium
peristyle garden
single-point perspective
illusionism
pax romana
amphitheater
barrel vault
arch
Pantheism
oculus
coffer
apse
bays
nave
buttress

Lecture 4: Ancient Greece

Submitted by (inactive) on Friday, 9/26/2008, at 12:01 PM

Lecture 4 Slide List
Art and Architecture of Ancient Greece   
16 September 2008

Archaic, c. 600-480 B.C.


*Kouros, c.600 B.C. (The Metropolitan Museum of Art, New York)

Peplos Kore, c. 530 B.C. (Acropolis Museum, Athens)

Early Classical, c. 480-450 B.C.

*Kritios Boy, from the Acropolis, c. 480 B.C. (Acropolis Museum, Athens)

*Bronze Warrior, from Riace, c. 460-450 B.C. (Archaeological Museum, Reggio Calabria)

High Classical, c. 450-400 B.C.


*Polykleitos, Doryphorus (Spear-bearer).  Roman marble copy after Greek bronze original, c. 450-440 B.C. (Museo Archeologico Nazionale, Naples)

Kresilas, Bust of Pericles.  Roman marble copy after Greek bronze original, c. 429 B.C. (Museo Pio-Clementino, Vatican City)
 
*Iktinos and Kallikrates, Parthenon, on the Acropolis of Athens, 447-438 B.C.

*Phidias, Sculptural Decoration on the Parthenon, 447-432 B.C. (Fragments now in The British Museum, London)
    Cult Statue of Athena Parthenos (destroyed; modern model in Nashville, Tennessee)
    Metopes: Battle of the Lapiths and the Centaurs
    East Pediment: Birth of Athena: Three Goddesses (Hestia, Dione, and Aphrodite?)
                                                               Dionysus or Heracles?
    Frieze: Pan-Athenaic Procession

Terms:
Athens
Sparta
humanism
kouros
kore
contrapposto
lost-wax technique
canon
cella
Athena Parthenos
chryselephantine
Doric order
entasis
stylobate
entablature
pediment
triglyph
metope
frieze
Mt. Olympus
Macedonia

Lecture 3: Ancient Egyptian

Submitted by (inactive) on Thursday, 9/18/2008, at 9:50 AM

Lecture 3 Slide List
Art of Ancient Egypt
11 September 2008

Early Dynastic c. 3200-c. 2780 B.C.


*Palette of Narmer, c. 3100-3000 B.C. (Egyptian Museum, Cairo)

Old Kingdom c. 2780-c.2258 B.C.


*Pyramids at Giza, c. 2600-2500 B.C. Built for Pharoahs Khufu, Khafra, and Mycerinus.

The Great Sphinx, Giza, c. 2570 B.C.

Khafre, c. 2570 B.C. (Egyptian Museum, Cairo)

*Mycerinus and Khamerernebty, c. 2600 B.C. (Museum of Fine Arts, Boston)

*Seated Scribe, c.2600 B.C. (Musée du Louvre, Paris)

New Kingdom c. 1570-1085 B.C.

*Senmut, Mortuary Temple of Queen Hatshepsut, Dehr el-Bahri, c. 1480 B.C.

*Temple of Amun-Re, Luxor, c.1417-1379 B.C.

Wall Paintings from Tomb of Netamun, Thebes, c.1400 B.C. (British Museum, London)


Terms:
Rosetta Stone
dynasty
pharaoh
hieroglyph
mastaba       
ka       
canopic jar
pylon temple
hypostyle hall   
clerestory
papyrus

Lecture 2: Ancient Near East

Submitted by (inactive) on Tuesday, 9/9/2008, at 11:58 AM

Lecture 2 Slide List
Art of the Ancient Near East
9 September 2008


MESOPOTAMIA

Sumerian

Female Head, from Uruk (Warka), c. 3500-3000 B.C. Marble. (Iraq Museum, Baghdad)

*Vase, from Uruk (Warka), c. 3500-3000 B.C. Alabaster. (Iraq Museum, Baghdad)

*Ziggurat at Ur, c. 2100 B.C.

*Statuettes from Temple of Abu, from Tell Asmar, c. 2750-2650 B.C. Alabaster. (Iraq Museum, Baghdad)

Cylinder Seal, from Ur, c. 2700 B.C. (The Oriental Institute, University of Chicago)


Akkadian

Head of a Ruler, from Nineveh, c. 2300-2200 B.C. Bronze. (Iraq Museum, Baghdad)

*Stele of Naramsin, from Susa, c. 2300-2200 B.C. Pink sandstone. (Musée du Louvre, Paris)


Babylonian

*Stele of Hammurabi, from Susa, Iran, c. 1760 B.C. Basalt. (Musée du Louvre, Paris)

Assyrian

*Sargon II’s Palace, Dur Sharrukin,(Khorsabad), completed c. 700 B.C.

*Reliefs from Ashurnasirpal II’s Palace at Nimrud, c. 883-859 B.C. Alabaster.
Human-headed winged bull (Lamassu) (The Metropolitan Museum of Art, New York)
Ashurnasirpal II Killing Lions. (The British Museum, London)
City Under Siege (The British Museum, London)
Fugitives from Suru Swimming (The British Museum, London)

*Reliefs from Ashurbanipal’s Palace at Nineveh, c. 660-650 B.C. Alabaster. (The British Museum, London)
    Ashurbanipal’s Victory over the Elamites
    Ashurbanipal Killing a Released Lion
    Dying Lioness
    Ashurbanipal and His Queen in the Garden

Terms:
Tigris and Euphrates Rivers    
Mesopotamia               
Sumer/Sumerian                   
ziggurat                       
cuneiform
Innana               
stele               
composite view
lamassu           
Shamash    

Lecture 1: Prehistoric

Submitted by (inactive) on Tuesday, 9/9/2008, at 11:56 AM

Lecture I Slide List
Art of Prehistoric Europe
4 September 2008

PALEOLITHIC
* “Venus” of Willendorf, Austria, c. 22,000-19,000 B.C. Limestone. (Vienna, Naturhistorisches Museum)

*Woman holding a bison horn (“Mother Goddess”) from Laussel, France, c. 22,000-19,000 B.C. (Bordeaux, Musée d’Aquitaine)

Woman’s Head from Brassempouy, France, c. 22,000 BC. Ivory. (St-Germain-en-Laye, Musée des Antiquités Nationales)

Lion-Human from Hohlenstein-Stadel, Germany, ca. 32,000 B.C. Mammoth ivory (Ulmer Museum, Ulm)

*Chauvet cave, Ardèche Valley, France, c. 25,000-17,000 B.C.
    Lion Panel
    Panel of Horses, Rhinoceroses and Aurochs
   
*Lascaux Caves, Dordogne, France. c.16,000-14,000 B.C.
  Hall of the Bulls
 “Chinese Horse”
“Well Scene”

Altamira Caves, Spain, c. 14,000-10,000 B.C.

NEOLITHIC
Çatal Hüyük, central Turkey, c. 7,000-5,000 B.C.
    Pregnant Goddess. Painted plaster relief.
    *Dancing Hunter. Wall painting.
    *Mother Goddess. Terracotta. (Archaeological Museum, Ankara)
    Seal. Terracotta.

Jericho, Jordan, c. 8,000-6,000 B.C.
*  Human Skull,  c. 7,000-6,000 B.C. (Archaeological Museum, Amman)

Skara Brae, Orkney Islands, near Scotland, c. 3,100-2,600 B.C.

*Newgrange, Ireland, c. 3,000-2,500 B.C.

Menhir alignments at Ménec, Carnac, France, ca. 4,250-3750 B.C.

*Stonehenge, Salisbury Plain, England. c. 2,100-2,000 B.C.

Terms:

Paleolithic (c. 42,000 BCE- 8,000 BC)            dolmen
Neolithic (8,000 BCE- 1,000 BC)                     menhir   
ochre                                                                      henge                   
megalith                                                                kerbstone
post and lintel                                                       cairn