Listed in: Black Studies, as BLST-305
Formerly listed as: BLST-23
John E. Drabinski (Section 01)
[CLA/D] This course examines the meaning of “the postmodern” in contemporary Caribbean and African-American philosophy, cultural theory, and the arts. What is the postmodern? And how does the experience of the Americas transform the meaning of postmodernity? Four basic concepts guide our inquiry: fragmentation, nomad, rhizome, and creoleness. Short readings from European theorists will provide the backdrop for our treatment of how the experiences of the Middle Passage, colonialism, and postcolony life fundamentally transform postmodern ideas. In tracking this transformation, readings and reflections will explore the possible meanings of the AfroPostmodern in the works of Édouard Glissant, Antonio Benítez-Rojo, Wilson Harris, and Patrick Chamoiseau. In addition, with such theoretical considerations in place, the class will examine the specifically AfroPostmodern significance of aesthetic practices in dub, sampling, graffiti, and anti-racist irony. Lastly, the class will consider how AfroPostmodern conceptions of mixture, counter-narrative, and syncretism offer an alternative to dominant accounts of modernity and globalization.
Spring semester. Professor Drabinski.
Section 01
Tu 11:30 AM - 12:50 PM COOP 101
Th 11:30 AM - 12:50 PM COOP 101
| ISBN | Title | Publisher | Author(s) | Comment | Book Store | Price |
|---|---|---|---|---|---|---|
| Repeating Island | Duke University Press, 1996 | Benitez-Rojo, Antonio | Amherst Books | TBD | ||
| Poetics of Relation | University of Michigan Press, 1997 | Glissant, Edouard | Amherst Books | TBD | ||
| Rhythm Science | MIT Press, 2004 | Miller, Paul | Amherst Books | TBD |
These books are available locally at Amherst Books.